The Supreme Court of the United States issued a unanimous decision invalidating the Copyright Remedy Clarification Act (CRCA), a 1990 statute intended to provide copyright owners with the power to sue a US state government for infringement, and held that states cannot be sued for copyright infringement. Allen v. Cooper, Case No. 18-877 (Supr. Ct. Mar. 23, 2020) (Kagan, Justice) (Thomas, Justice, concurring) (Breyer and Ginsburg, Justices, concurring).
The US Court of Appeals for the Ninth Circuit affirmed that “lightly sketched anthropomorphized characters representing human emotions” were not copyrightable. Daniels v. Walt Disney Co., Case No. 18-55635 (9th Cir. Mar. 16, 2020) (McKeown, J.).
Denise Daniels created The Moodsters Company. The Moodsters were five named characters, each color-coded to an emotion. The Moodsters Company developed a pitchbook in 2005, a pilot episode for television in 2007, and toys and books of a second generation of The Moodsters by 2013. Daniels and The Moodsters Company also pitched The Moodsters to Disney. In 2010, Disney began developing a movie about five anthropomorphized emotions called Inside Out.
Daniels brought a claim of copyright infringement against Disney. After the district court granted Disney’s motion to dismiss, Daniels appealed.
Addressing for the first time the issue of implied copyright sublicenses, the US Court of Appeals for the First Circuit held that where a copyright license provides an unrestricted right to grant sublicenses, a copyright licensee may do so impliedly and without express language. Photographic Illustrators Corp. v. Orgill, Case No. 19-1452 (1st Cir. Mar. 13, 2020) (Kayatta, J.).
Ruling en banc, the US Court of Appeals for the Ninth Circuit reinstated a 2016 jury verdict, finding that the rock band Led Zeppelin and the opening notes of its hit song “Stairway to Heaven” did not infringe the 1967 song “Taurus” by the band Spirit. Michael Skidmore v. Led Zeppelin et al., Case No. 16-56057 (9th Cir., March 9, 2020) (en banc) (McKeown, J.) (Bea and Ikuta, JJ., dissenting).
The en banc decision addressed a “litany of copyright issues”—the most critical being the interplay between the 1909 and 1976 Copyright Acts and the Court’s reversal of its own precedent in rejecting a doctrine occasionally referred to as the “inverse ratio rule”—when it concluded that, regardless of a copyrighted work’s fame, all plaintiffs must satisfy the same standard of proof in showing that an allegedly infringing work is substantially similar to the copyrighted work.
On an issue of first impression in a copyright infringement dispute out of the Southern District of Texas, the US Court of Appeals for the Fifth Circuit confirmed that failure to mitigate is not a complete defense to copyright or Digital Millennium Copyright Act (DMCA) claims for statutory damages. Energy Intelligence Grp., Inc. et. al., v. Kayne Anderson Capital Advisors, LP, et. al., Case No. 18-20350 (5th Cir., January 15, 2020) (Higginson, J.).
In 2014, energy industry publisher Energy Intelligence Group, Inc. and its affiliated entity in the United Kingdom (together, EIG) filed suit against energy securities investment firm Kayne Anderson Capital Advisers (KA), alleging copyright infringement and abuses of the DMCA based on a KA partner’s violation of US copyright law and violation of his subscription agreement for EIG’s Oil Daily newsletter, which provides news and analysis about the North America petroleum industry. The jury in the district court proceeding found that EIG could have reasonably avoided almost all of the alleged copyright and DMCA violations through real-time investigations and enforcement efforts, and thus awarded EIG just over $500,000 in statutory damages for the infringement of 39 works of authorship. The district court, however, still applied the Copyright Act’s fee shifting provisions and awarded EIG over $2.6 million in attorney’s fees and costs. The parties’ consolidated appeals to the Fifth Circuit thus presented an issue of first impression: namely, whether the failure to mitigate copyright infringement is a complete defense to liability for statutory damages under the Copyright Act and the DMCA.
Addressing issues of copyright and patent infringement, the US Court of Appeals for the Federal Circuit found that the Federal Insecticide, Fungicide, and Rodenticide Act did not preempt copyright protection and that patent infringement under 35 U.S.C. § 271(g) does not require that the claimed process be performed by a single entity. Syngenta Crop Protection, LLC v. Willowood, LLC, Case Nos.18-1614, -2044 (Fed. Cir., Dec. 18, 2019) (Reyna, J.).
The US Court of Appeals for the Federal Circuit vacated in part a US Court of Federal Claims damages award, finding that the court erred in applying the book of wisdom in its damages analysis and assessing noncompensatory damages against the government. 4DD Holdings, LLC, et al. v. United States, Case No. 2024-1996 (Fed. Cir. July 16, 2026) (Hughes, Prost, Stark, JJ.)
4DD licensed TETRA software to the US Department of Defense and the US Department of Veterans Affairs to improve interoperability among existing military healthcare databases. Under the license, the government was permitted to make only a single backup copy of TETRA. 4DD later discovered that the government had made thousands of unauthorized copies of the software and sued for copyright infringement. During discovery, 4DD learned that the government had deleted TETRA copies from its development and test center and had destroyed evidence related to those copies. 4DD moved for sanctions.
The Court of Federal Claims imposed about $1.1 million in sanctions, found that the government had exceeded the scope of the licenses by hundreds of thousands of Federator cores and Studio seats, and awarded about $12.7 million in damages based on a hypothetical negotiation rather than the parties’ license agreement. In assessing the parties’ bargaining positions, the claims court relied in part on the fact that TETRA was never implemented, had no established profitability, and faced competition from a less expensive software product. 4DD appealed.
4DD argued that the claims court should have calculated damages using the royalty rates established in the parties’ license agreement, which it contended would have resulted in an award amount between $3 billion and $5 billion. The Federal Circuit disagreed, explaining that 28 U.S.C. § 1498(b), which provides for “reasonable and entire compensation,” does not require a particular methodology for calculating copyright damages. Although a reasonable royalty may be based on an established royalty rate, it may also be determined through a hypothetical negotiation. The Court explained that the relevance of prior license agreements depends on the extent to which they are economically comparable to the infringing use. Because the government’s licensed use differed materially from the scope of its infringing use, the Federal Circuit concluded that the claims court did not abuse its discretion in determining damages through a hypothetical negotiation rather than by simply applying the parties’ license rates.
4DD also argued that the claims court misapplied the book of wisdom doctrine by imputing to the government (at the time of the hypothetical negotiation) knowledge of its later decision to abandon the TETRA project. The Federal Circuit agreed. The Court explained that although later-occurring facts may be considered to reduce uncertainty and illuminate the value that existed at the time of the hypothetical negotiation, they may not be used to impute knowledge of unforeseeable future events that affect the value of the license. Here, the court’s claims improperly relied on the government’s subsequent change in leadership and resulting decision to discontinue the project before TETRA was implemented to diminish 4DD’s bargaining [...]
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The US Court of Appeals for the First Circuit vacated summary judgment in favor of singer Ricky Martin in a copyright infringement action, concluding that the district court improperly resolved key factual issues without allowing the plaintiff to obtain discovery. The Court also vacated the district court’s order invalidating the plaintiff’s copyright registration because that ruling depended on the same prematurely decided issues. Luis Adrián Cortés-Ramos v. Enrique Martin-Morales, a/k/a Ricky Martin, Case No. 24-1805 (1st Cir. June 12, 2026) (Thompson, Aframe, JJ.) (Barron, J., dissenting in part).
The dispute stems from Cortés-Ramos’s submission of a song and music video to a contest sponsored by a recording studio and Ricky Martin for inclusion on the 2014 FIFA World Cup official album. After Martin released the song “Vida,” Cortés-Ramos alleged that it infringed his copyrighted work. Martin defended on the ground that Cortés-Ramos had assigned his copyright to the recording studio by agreeing to the contest rules. Cortés-Ramos contended that he never received those rules despite signing documents acknowledging compliance with them.
The district court rejected Cortés-Ramos’s argument that the dispute belonged in arbitration because Martin was not a party to the arbitration agreement between Cortés-Ramos and the recording studio. The court then adopted an expedited summary judgment schedule that foreclosed discovery, concluding that Cortés-Ramos had assigned his rights to the recording studio and, as a result, that his copyright registration was invalid. Cortés-Ramos appealed.
The First Circuit agreed that the district court properly exercised jurisdiction because Martin could not be compelled to arbitrate under an agreement to which he was not a party. The Court cautioned, however, that factual findings in the litigation could have preclusive effect in the parallel arbitration between Cortés-Ramos and the recording studio.
The First Circuit nevertheless vacated the summary judgment ruling, explaining that Cortés-Ramos had repeatedly sought discovery regarding evidence uniquely within the possession of the recording studio and Martin. Although Cortés-Ramos had not formally moved under Federal Rule of Civil Procedure 56(d), the Court treated his repeated requests for discovery as functionally seeking Rule 56(d) relief. The Court found it fundamentally unfair to resolve dispositive issues while denying Cortés-Ramos access to evidence necessary to challenge Martin’s assertion that the contest documents assigned ownership of the work.
Because the district court entered summary judgment without permitting discovery on issues central to ownership of the copyright, the First Circuit vacated both the summary judgment order and the ruling invalidating Cortés-Ramos’ copyright registration and remanded for further proceedings.
The US Court of Appeals for the Fourth Circuit affirmed a district court’s exclusion of damages evidence under Federal Rule of Civil Procedure 37(c)(1) and the resulting grant of summary judgment against the plaintiff on all claims. Deque Sys. Inc. v. BrowserStack, Inc., Case No. 25-1534 (4th Cir. June 5, 2026) (Agee, Traxler, Floyd, JJ.)
Deque Systems develops software that helps businesses make websites accessible to users who have visual and hearing impairments. Deque sued competitor BrowserStack for copyright infringement, false advertising, breach of contract, and unjust enrichment, alleging that BrowserStack reverse-engineered Deque’s software to develop a competing product and falsely advertised it as “5x faster” than Deque’s flagship offering.
Under the district court’s scheduling order, initial disclosures were due on June 7, 2024; expert disclosures were due on August 9, 2024; and fact discovery closed on October 11, 2024. Although Deque timely served its Rule 26(a)(1) initial disclosures, it failed to provide a computation of damages as required by Rule 26(a)(1)(A)(iii). When BrowserStack later served an interrogatory seeking the categories and calculations of Deque’s claimed damages, Deque again declined to provide a damages computation, stating only that it intended to seek all available damages and that its calculations remained incomplete.
Deque also failed to serve a damages expert report by the August 2024 expert disclosure deadline. After retaining new counsel, Deque disclosed a $30 million damages calculation on October 8, 2024, just three days before the close of discovery. BrowserStack moved to exclude the damages evidence and sought summary judgment.
The district court excluded Deque’s damages evidence under Rule 37(c)(1), finding that Deque failed to comply with Rule 26’s disclosure requirements. Because Deque could no longer prove damages and failed to establish entitlement to injunctive relief, the district court granted summary judgment in BrowserStack’s favor on all claims. Deque appealed.
The Fourth Circuit affirmed. The Court explained that Rule 37(c)(1) “gives teeth” to Rule 26’s disclosure requirements by prohibiting a party from using information that was not properly disclosed during discovery. The Court found that Deque had “indisputably failed to comply” with Rule 26(a)’s damages disclosure requirements by failing to provide a damages computation in its initial disclosures, expert disclosures, or interrogatory responses. The Court rejected Deque’s argument that its disclosure of damages in a rebuttal expert report three days before the close of discovery constituted a timely disclosure.
Turning to the propriety of the sanction, the Fourth Circuit applied the five-factor test set forth in its 2003 Southern States Rack & Fixture, Inc. v. Sherwin-Williams Co. decision:
The Fourth Circuit concluded that all five factors favored exclusion. BrowserStack was plainly surprised by Deque’s $30 million damages claim, which was disclosed only days before discovery closed. Curing that surprise would have required reopening discovery and significantly delaying the proceedings. Although the damages evidence was important, Deque failed to offer any meaningful justification for its repeated failure [...]
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The US Court of Appeals for the Second Circuit affirmed in part and reversed in part a judgment on the pleadings, clarifying that the de minimis doctrine does not apply where the copyrighted work is identifiable in the secondary use – even if only a single frame is copied – and that fair use is unlikely to be resolved at the pleading stage when an entire copyrighted work is republished for commercial purposes. Richardson v. Townsquare Media, Inc., Case No. 25-291-CV (2d Cir. Apr. 23, 2026) (Lynch, Nardini, Menashi, JJ.)
Delray Richardson operates the YouTube channel “Straight Game TV.” In May 2015, he posted a 42 second video showing Michael Jordan intervening in a confrontation. The video gained widespread attention in July 2023 after the hip hop blog DailyLoud reposted it in full on X. Townsquare Media subsequently published an article reporting on the incident and embedded DailyLoud’s X post containing the entire video.
In a separate incident, Richardson recorded an interview with rapper Grandmaster Melle Mel in March 2023. Richardson posted a three-minute clip of the interview, in which Melle Mel made controversial statements about Eminem, to YouTube. The following day, Townsquare published an article discussing the interview and embedded the YouTube clip. The article’s header image included a screenshot taken from the Melle Mel video, depicting Melle Mel next to an image of Eminem. Two days later, Townsquare published a follow up article about rapper 50 Cent’s response and included a second screenshot from the same video, this time placed next to an image of 50 Cent.
Richardson sued Townsquare for copyright infringement based on Townsquare’s use of the Jordan video, the Melle Mel video, and the two screenshots. Townsquare moved for judgment on the pleadings, arguing that:
The district court accepted each argument and dismissed the case in full. Richardson appealed.
The Second Circuit reversed the district court’s fair use ruling as to the Jordan video. Applying the four factors under 17 U.S.C. § 107, the Second Circuit disagreed with the district court’s analysis of the first, third, and fourth factors.
As to the first factor (the purpose and character of the use), the Second Circuit concluded that it was “debatable” whether Townsquare’s article added meaningful commentary, and even if it did, any transformative character was substantially offset by the use’s commercial nature.
On the third factor (the amount and substantiality of the portion used), the Second Circuit emphasized that Townsquare republished the entire video, rather than linking to or embedding it in a manner consistent with the original platform. That full reproduction weighed heavily against fair use at the pleading stage.
With respect to the fourth factor (the effect on the potential market), the Second Circuit concluded that Townsquare failed to carry its burden of showing that its use did not usurp a market for the [...]
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